Butch Cassidy and the Sundance Kid are specialists in the train robbery. Pursued by a patrol of the Union Pacific, expatriates in Bolivia with Etta, a young teacher in love with Sundance, where it continued for a bit 'their activities.
Butch Cassidy [Butch Cassidy and the Sundance Kid, USA, 1968, Western] George Roy Hill starring Paul Newman, Robert Redford, Katharine Ross, Strother Martin. When I look at these films I reconciled with the cinema. And 'as if all the bad movies slip through and remain the only beautiful film, like this one. Really good western, with two actors who interact to simply crazy each other in a divine way. Newman is perfect in the role of "thinker" with the gab, while Redford is as sublime in the role of the 'agitator "by the hand quickly. Together they form one of the best couples that the history of cinema has ever known. So biopic of the famous duo of gunmen assailants of banks and trains, we are faced with one of the best westerns I've ever seen. Leaving aside the actors (perfectly credible and natural), the film deserves praise as it manages to alternate moments of good humor to the dramatic moments with a naturalness and wisdom that make fear. The photograph (which in fact won an Oscar) by using lots of colors (including the ever dated squid ink), it is still original and not dated, I found it clever in some ways! Good soundtrack and directed that the use of good shots and zooms down is very pleasant and efficient. Obviously the scene is still all to them, Newman and Redford! The first scene of the robbery in Bolivia, failed for lack of knowledge of local language is dying with laughter! When the Film and Cinema was still talking when the players did little off the screen but if recited with professionalism and ingenuity.
City of The Dead [ Last Rites, USA, 2006, Horror] di Duane Stinnet con Enrique Almeida, Howard Alonzo, Reggie Bannister,Stephen Basilone. Avete presente l'effetto che mi ho quando vedo Butch Cassidy? Gioia. Ecco quando ho visto City of The Dead ho avuto l'effetto totalmente opposto. Non so nemmeno da dove cominciare per recensire questo "film". Perché per me non è neanche un film, è semplicemente una cagata pazzesca come diceva il buon Ugo Fantozzi. Terrificante sotto ogni aspetto, ma non perché è un film Horror ma perché il tutto fa paura da quanto è realizzato male. Gli attori sembrano essere stati presi per strada (recitano infatti in una maniera cosi vergognosa che viene da ridere...un plauso alla ragazza di colore its the best! In comparison, Diaz is oscar and I said it!), The film has no head or tail and it is a truism that even a 4 year old child writes it. The lowest point of the film (sisi there is a point even lower than what I described) is the director: try to do things to Scorsese or Tarantino failing to know that absolutely genius! It leaves out a whole series of horrific sequences that are bad for those who see them. But how do you produce such a thing? Science can not explain all of it is true, these are things that the paranormal!
1995: Nelson Mandela (Morgan Freeman) leads South Africa, finally out of the dark period of apartheid. A great sporting event could lead to a breakthrough for the country to leave behind the suffering of apartheid and bring together for the first time blacks and whites: the World Cup rugby. The hope of victory and redemption are in the hands of the captain, Francois Pienaar (Matt Damon).
Invictus [Invictus, USA, 2009, Drama] by Clint Eastwood with Matt Damon, Morgan Freeman, Scott Eastwood, Robert Hobbs, Bonnie Henna, Langley Kirkwood. Of course, after having reviewed City of the Dead, any film in comparison looks beautiful. Imagine if we're talking about the last effort of Clint Eastwood boys. Beautiful and intense. Focused on the issue and the settlement by President Nelson Mandela, this film is a film about rugby as you can possibly think of the trailer. Rugby is only an excuse to show the greatness of a man. A man who makes us think again in the human race. It 's just incredible and exciting to see how a person, after living 27 years in prison, not able to keep any hatred or desire for revenge against his tormentors. Can indeed work together for the good of South Africa! Those same people who kept him chained to the day before, ora lavorano con lui senza che quest'ultimo faccia pesar loro il tutto. Quando sono uscito dalla sala ero davvero felice (sebbene conoscessi già la storia di Mandela) che ci fosse un omaggio del genere ad uno degli uomini più importanti del XX secolo. Ad interpretare Mandela, chi ovviamente se non Morgan Freeman? Perfetto come al solito nel fisico e nella recitazione, semplicemente uguale al leader politico sudafricano. La sceneggiatura è ottima e illustra bene le divisioni e i problemi del Sudafrica di allora. La fotografia e la regia sono come al solito magnifiche. Anche Matt Damon fa la sua parte, interpretando il capitano della nazionale di rugby che riuscirà a vincere quei famosi mondiali del 1995. Paradossalmente, la parte sportiva (dunque l'ultima half an hour) is the one that I liked it less, not because evil is clearly filmed. Maybe because before the greatness of Mandela, any sporting event seems futile. Divine music as always fits perfectly. Clint Eastwood now is becoming like the title of his film: invincible, does not miss a beat for 20 years. Of course we are not at the levels of Gran Torino and Million Dollar Baby, but a buom Clint, more than 95% of the films and is a masterpiece for any other director in the world. Other than Avatar!
Mario Diccara is finally free after serving seven years in prison. However, despite having paid his debt to society has not yet settled with the mob, with which it has some unfinished business. Asks him for his brother Patrick to find a place to hide these and directs it to the hut of Father Etienne, a priest who lives in a small village in the Alps but Patrick does not know that Father Etienne is dead Mario finds out the his arrival, when a misunderstanding the villagers mistake him for the replacement of the priest, in whose shoes will be empathize. The missionary
[The missionnaire, France, 2009, Drama] Roger Delattre Jean-Marie Bigard, David Strajmayster, Aissatou Thiam, Jean Dell. French comedy that takes its cue from school Veber now with all the features that follow. Never a bad word, never a boob or a butt, just comical gestures or word games. Too bad that the functions result in half if the idea may be nice, the implementation is a bit less. The first half hour slips away pretty well, tearing several smiles and a couple of laughs. Then especially the final ending in the classic rhetoric of "caring" and becomes quite boring and ridiculous. Too bad because the actors are good (especially Bigard seems that the French Robert De Niro), but not all cakes come with a hole. Places of interest in the company to get some laugh and not having to concentrate too much on the film. 
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